242/917 Jaime Morey: Amanece (Spain 1972)

Often a most nondescript song turns into a masterpiece on a Eurovision stage with a tasteful arrangement, possibly a good stage setting and most importantly with a passionate delivery from the artist. Sometimes a complete opposite happens, a song with a great recording loses all its appeal when seen in the actual Eurovision song contest. This happened, in my opinion, to the Spanish entry from 1972.

The recorded version of Amanece (here linked to the original preview video clip) sung by Jaime Morey is not that special either, but I cannot say no to a good quality stereo recording of a song with powerful orchestral arrangement and the adequate performance of Jaime Morey with just enough pomp and circumstance. An ok song and an ok recording among many great entries by Spain.

I of course didn't have the opportunity to see and hear the song in person in Edinburgh 1972, so I cannot say what the song really looked and sounded like, but the video recording of the song is a real let down. Jaime Morey is slightly too earnest and tries too much to impress the audience, but the song is not enough for the audience to be impressed about.

Decades before the HD, digital surround sound and home theaters the average sound quality of a television broadcast was not suitable for big musical experiences and the elaborate arrangement by the composer Augusto Algueró is lost on its way from the Usher hall stage to the home of a television viewer.

The result is rather forgettable and bland Eurovision entry and not one of the better Spanish entries of the 1970's. Between the two runner-ups (En un mundo nuevo from 1971 and Eres tú from 1973) this song is mostly forgotten.

My points 2/5.

239/917 Mary Roos: Nur die Liebe lässt uns leben (Germany 1972)

Germany has sent to the Eurovision stage an impressive legion of their most popular and famous singers. One of them was Rosemarie Schwab, better known with her stage name Mary Roos.

I got to know Mary Roos in 1984, when she represented Germany in the Eurovision Song Contest with song Aufrecht Geh'n. I was impressed with her voice which was vulnerable and strong at the same time. It was many years later that I heard and saw hers first Eurovision entry, which took part 12 years earlier.

When watching for the first time a bad quality VHS copy of the 1972 contest held in Edinburgh Scotland I was puzzled by her performance. Here was 23 years old singer singing un upbeat happy song with the same vulnerable strong voice I had heard singing a heartbraking ballad of separation in 1984. Somehow I felt her voice did not mach the song Nur die Liebe lässt uns leben.

During the years I've grown to appreciate her performance in 1972 as much as her appearence 12 years later. The song is good and she is clearly having good time on stage. The relaxed feeling, smile, the sparkle in her eyes (contrary to her 1984 performance) and of course her confident singing make the song work and the third position in the final results was well deserved.

My points 4/5.

252/917 Family four: Härliga sommardag (Sweden 1972)

Warm summer, beautiful landscape and all the rest of the delights of your homeland have been constant subject for songs in the event that, apart from being a contest for songs, is a good opportunity to market your country for tourists and visitors. Sweden used the first two years of the 1970's to sing about lovely winter (in 1971) and summer (1972) of this Scandinavian kingdom. To sing both these well crafted tourism commercials Sweden chose a four member folk group Family four.

Their 1971 entry Vita vidder (to which I will hopefully return in the near future) was a melodic masterpiece by Håkan Elmquist, a song of many dimensions and stages. Perfect performance by the Family four gave this song one of the best results Sweden had ever had in the Eurovision so far.

The Swedish entry from 1972, composed as well by Elmquist, was much simpler and less structured praise of wonderful summer days. Family four did, again, a wonderful stage performance of the song with the girls starting the verse and the boys continuing. The verse is followed by a peppy and almost irritatingly hilarious refrain which is interrupted by a gorgeous middle eight with wonderful harmony singing by the group. Although not as perfect as the 1971 entry, Härliga sommardag manages, once again, be a delightful and very Swedish song to which Family four does justice with a big J. The recorded version is even better.

Unfortunately the juries, consisting of two members from each participating country, were not as thrilled of the Swedish summer as they were of the winter a year earlier. The song placed 13th among 18 participants.

Family four continued its career until 1974. Two of its members, Marie Bergman and Pierre Isacsson continued their careers as solo artists. Bergman would represent Sweden for the third time in 1994, and the same year Isacsson would, tragically, die in the Estonia ferry accident.

My points 4/5.